Santana! Beautiful Santana! He put our music, Latin rock, around the world, man! And I'd like to thank him publicly 'cause he recorded a tune and he gave me credit as the composer of the tune. Tito Puente, speaking in the intro to his recording of "Oye cómo va" on the album Mambo Birdland, said "Everybody's heard of Santana. There are several guitar solos and an organ solo, all of which are rooted in rock and the blues but also contain licks similar to those of the original arrangement. The electric guitar part takes on Puente's flute melody, and the organ provides accompaniment (with organist Gregg Rolie's discreet use of the Leslie effect). Santana's arrangement is a "driving, cranked-up version" in a new style of Latin rock, adding electric guitar, Hammond B-3 organ, and a rock drum kit to the instrumentation and dropping Puente's brass section. The lineup in the original recording was the following: Puente himself recorded "Oye cómo va" live on many occasions, including his 1980 Montreux Jazz Festival appearance with the Latin Percussion Jazz Ensemble. Sergio Calzado's brother, Rudy, is the lead singer in Puente's recording. ![]() The second section of the song resembles the introduction to "Te enseñaré", written by Sergio Calzado and recorded by Estrellas Cubanas in 1960. ![]() In fact, Puente recorded the song in 1959 for his album Mucho cha cha ( RCA Victor). According to Max Salazar, it is likely that Puente was inspired by Cachao's tune when composing "Oye cómo va", given the clear similarities. The song's introduction and piano vamp which are highly similar to the 1957 mambo " Chanchullo" by Israel "Cachao" López. The song was arranged as a cha-cha-chá with a repeated piano tumbao consisting of block chords and a vocal refrain sung by a chorus, typical of cha-cha-chá. The name of the song is taken from its refrain: " Oye cómo va, mi ritmo." (Listen how it goes, my rhythm). "Oye cómo va" was written and recorded by Tito Puente and his orchestra in 1962 for Tico Records. Due to its multinational origins-Cuban, Puerto Rican and American-and its many versions by artists from all over the world, "Oye cómo va" has come to represent "the interconnectedness, hybridity and transnationality" of Latin music in the United States. The song has been praised by critics and inducted into the Latin Grammy Hall of Fame in 2001 and the Grammy Hall of Fame in 2002. The block chord ostinato pattern that repeats throughout the song was most likely borrowed by Puente from Cachao's 1957 mambo " Chanchullo", which was recorded by Puente in 1959. This version was released as a single in 1971, reaching number 13 on the Billboard Hot 100, number 11 on the Billboard Easy Listening survey, and number 32 on the R&B chart. The song achieved worldwide popularity in 1970, when it was recorded by American rock group Santana for their album Abraxas. As the years pass, “Samba Pa Ti” remains an enduring testament to the timeless power of music to touch the deepest parts of our souls." Oye Cómo Va" is a 1962 cha-cha-chá by Tito Puente, originally released on El Rey Bravo ( Tico Records). Through Santana’s sublime guitar playing, this enchanting melody carries different meanings for each individual, allowing them to create their own personal narrative. “Samba Pa Ti” is a masterful composition that extends beyond traditional boundaries, captivating listeners with its universal appeal. Its timeless allure speaks to the power of music to transcend language barriers and evoke profound emotions within each listener. A Musical Legacyĭecades after its release in 1970, “Samba Pa Ti” continues to captivate audiences worldwide, establishing itself as one of Santana’s most iconic compositions. The absence of lyrics allows the listener to uncover their own narrative within the composition. Some find solace and healing in its gentle nature, while others perceive it as a declaration of love or a representation of nostalgia. Interpreting the precise meaning of “Samba Pa Ti” can be subjective, as it invites listeners to project their own emotions onto the melody. This has allowed the song to take on different meanings for different individuals, depending on their personal experiences and interpretations. ![]() Despite being rooted in Latin American music, the melody possesses a universal quality that resonates with people from all walks of life. ![]() What makes “Samba Pa Ti” truly remarkable is its ability to transcend cultural boundaries. The soothing and evocative melody takes listeners on a soul-stirring experience, creating an intimate connection between the artist and the audience. “Samba Pa Ti,” which translates to “Samba for You,” showcases Santana’s remarkable ability to convey emotions solely through his guitar.
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