From a value standpoint, it is likely the best camera on this list and the one most people should buy, even if your budget is higher. You also get various high-end features, like S-Log flat color profiles that preserve dynamic range and offer more flexibility for color grading.Īs the specs show, the A7 III is anything but basic. It shoots oversampled 4K from the full width of the sensor, so there’s no cropping and no pixel binning. The A7 III also stands strong in its video capabilities. This isn’t the professional sports camera that is the A9 II, but it is impressive for a “basic” model. In full continuous mode, it can shoot 177 JPEGs. Battery life is doubled compared the previous generation, at 710 shots per charge, putting it well ahead of the mirrorless competition.Īs with other third-generation A-series cameras from Sony, the A7 III now has a burst rate of 10 fps. The A7 III boasts the same 693-point autofocus system found inside the flagship A9 II, and AF performance is equally quick and reliable. It won’t match the detail of the A7R VI, but for most situations it has more than enough resolution. It also strikes a good balance between file size and resolution. Its 24MP backside-illuminated sensor brings along improved low-light performance and increased dynamic range compared to the already very capable A7 II. Sony might call the A7 III the basic model of its lineup, but it’s far from basic in our book. Or, if you really need that speed and can’t swallow the price, the first-generation Sony A9 is still around, too. Thankfully, many of the technologies from the A9 have trickled down into Sony’s other full-frame models. Priced as it is, it’s not exactly a consumer-centered camera. And while it isn’t Sony’s best video camera, it still shoots 4K video at 30 fps. The A9 II is also weather-sealed, has dual SD card slots, and features both wired (Ethernet) and wireless (Wi-Fi, NFC, and Bluetooth) connectivity. With the electronic shutter, the A9 II makes viewfinder blackout a thing of the past, meaning the entire time you’re holding down the shutter and taking photos, you’re still seeing a live view of exactly what the sensor is seeing, even at 20 fps. In total, the autofocus points cover more than 93 percent of the frame and focus calculations are made 60 times per second - more than enough for even the most demanding environments and subjects.Ĭomplementing that speed and focus precision is the 3,686k-dot OLED electronic viewfinder that offers a no-blackout display when shooting bursts. The A9 II’s autofocus system consists of 693 phase-detection AF points and 25 contrast-detection points. The sensor also has an extended ISO range of 50 to 204,800 and can fire its electronic shutter as fast as 1/32,000 of a second, a fast enough speed that rolling shutter distortion is much less of a concern than with other electronic shutters. Compared to the 14 fps of Canon’s flagship 1D-X Mark II and 12 FPS of Nikon’s D5, it’s nothing short of mesmerizing. It isn’t just fast, but can hold that 20 fps speed for over 200 exposures in compressed RAW format. Its stacked sensor measures in at “only” 24 megapixels, but what it lacks in resolution, it makes up for in performance. The Xperia 1 II brings Sony’s mirrorless camera tech to a smartphone Sony’s A7S III is the ultimate 4K video camera, five years in the making Smaller and cheaper, the full-frame Lumix S5 is exactly what Panasonic needed
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